How “Squid Game” Channels the Anarchic Spirit of the New Korean Cinema

Ed Park writes about the K-drama series “Squid Game,” and explores the popular, ultra-violent show’s connection to the New Korean Cinema, particularly to Kim Ki-duk’s film “Spring, Summer, Fall, Winter . . . and Spring,” from 2003.

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The New Yorker: How Squid Game Channels the Anarchic Spirit of the

How “Squid Game” Channels the Anarchic Spirit of the New Korean

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